Beginnings of Punk Rock in London Ontario Part 3
Graffiti in London Ontario circa 1979 under Dundas St Bridge. |
But we had a good number of solid local combos, some of whom would go on to release their own records, many highly collectible today. Bands like The Hippies, Generics, Terminals, Motives, Second Thoughts, Spiral Scratch, Radio 4, Crash 80’s, Conning Tower, Idiot Savant, Mettle, Dead Rabbits, UIC, Enemas, Napalm Babys and so many more were making noise and drawing people out to see them!
Certain General at the Embassy Hotel Jan 1 1983 |
In the summer of 1981 we had an event that helped the local
bands go up a step musically. Sinners drummer Doug, and Rose, who was a
sometime waitress at the Cedar (if memory serves correct) were getting married
and the bash was at the Cedar Lounge. Coming directly from NYC was a band
called Certain General, which just happened to have local tub thumper Marcy
Saddy in the band, fresh from her stint in Toronto’s finest all girl combo, The
B Girls. In the B Girls, Marcy had opened for such notables as The Clash,
appeared on a BOMP single and had a picture spread in Bomp Magazine amongst
other things! Certain General hit the stage of The Cedar Lounge that night, and
played a set of surf meets psychedelic meets post punk that opened the ears and
brains of everyone there! They stuck around London for a few weeks, rehearsing,
playing local and out of town gigs, and getting ready to release their first
record, which brought them a fair bit of acclaim in the press! Just check
Certain General’s wiki page for an idea of what they accomplished!
Early 1982 and there was a bash to tear down the wall at the
Embassy Hotel. There was a large dividing wall in what was called The Sunnyside
Room, the big room where the bands played. This wall prevented line of sight
from more than half the room to the stage. Owner Helen Haller didn’t want the
expense of tearing down the wall, so a bunch of local bands organized a one day
bash to help pay for the renovations. With loads of co-operation, the bash was
a success, money raised and the wall came down. Unfortunately instead of having
the punk/new wave bands play there, the bar reverted back to country as the old
time drinkers did less damage (one front window was damaged almost weekly when
there was a punk event happening there…finally the Embassy boarded over the
window for good) and drank way more beer than the kids. Things reverted back to
the kids after a short time and they got their music which lasted until the
demise of The Embassy many years later.
And on May 1st 1982 The Cedar closed its doors to
bands with a huge blowout bash that resulted in furniture being tossed from
second floor windows onto the street below. The end of an era here in London as
times changed. The entire block the Cedar was located on is now the Budweiser
Gardens, which ironically hosts the kind of music The Cedar Lounge was an
escape from.
Later developments….more zines with a bit of help from Mike
Niederman….Livin’ End published by Jan Maxwell and lasted 2 or 3 issues. Zines
really contribute greatly to the scene and get the word out to the underagers
and people all over the world. Livin’ End, What’s The Poop and coverage in
places like Maximum Rock’n’Roll really validated our scene.
What Wave zine….started around 1980 (by poster artist Al Cole) and lasted until
1994….known around the world as The Canadian Garage Music zine. Also a record
label and released over a dozen compilation cassettes of bands. Lots and lots
of local stuff released on the compilations.
Then what goes around, comes around. The Nihilist Spasm Band and their artist pals
now had offspring old enough to start playing music and they did!! There was a
whole scene that started to happen around this bunch. Usually playing art
galleries, but also ventured into places like The Victoria, all ages shows and
even the Embassy Hotel’s smaller room as a whole new scene of kids erupted.
With band names like Anthrophomophics, Stupid Head, Bits Of Food, Lubatunes,
Brain Show, and many others, you could guess the music wasn’t quite like
anything else happening around here! This was definitely art rock with some of
it very electronic, some keyboard oriented but definitely unlike anything from
the class of 77 guitar punk! And they had their own comic/zine called Mind
Theatre which covered a bit of the scene, but was definitely more comic/art
oriented and really showed that some of these kids were major art talents. And
to bring it even more full circle, Mike Niederman helped some of these bands
release cassettes of which there were dozens, and I’m sure he helped them get
started with their Mind Theatre publication.
Thanx for putting up with me and my yammering about a long
gone scene. And here’s a couple of books from which you can get even more info
about the scene and the times….What Wave #24, Graphic Underground: London
1977-1990 and Treat Me Like Dirt (published by Ralph Alfonso, who is the
manager of The Diodes and brought them here to London for the first punk show
in London). There was also a documentary made about this time period, called
Stinkin’ Out The Joint (named after a 63 Monroe LP) and was done by former CHRW
Manager Mario Circelli…this came out around 2003 and you can find it on
youtube. There is also a documentary on
the Toronto and area punk scene called the Last Pogo Jumps Again by Colin
Brunton which talks a bit about the London punk scene. This is a really good
doc and goes into the Toronto scene in great depth.
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